Darby Strong

Playing point. Delivering the rock.

Search

  • About

Pop Music, Talk About It

This weekend at the Savannah Music Festival, David Grisman asked the audience, “so, who out there likes pop music?” I was the only person who emphatically hooted and hollered, surprised (kind of) that not one other person in the place was brave enough to admit it. Granted, some people might just not like pop music, but what IS pop music?

POPular music, as a definition, is limited and does not begin to examine the scope that is pop music. The making of a 2 to 4 minute song which is intended for radio play is a good place to start. “Commercially successful,” a packaged bit of goods that black men made and white boys sang is more accurate, with the roots of “pop music” in the American Blues. And although Elvis was the beginning of the pop song with “That’s All Right, Mama” and Phil Spector’s Wall of Sound got the ball rolling, the Beatles MADE pop music; Thus the beginning of rock and roll, with the line between the two continuously blurred.

From the Beatles came Dylan, popularly speaking, and soon after Hendrix, The Who, The Stones, and on into Bowie, Brian Wilson, The Velvet Underground and Brian Eno. A part of me rejects placing many of these musicians into the pop category, but as icons of pop culture and musical history, they are.

As are the 80’s pop aficionado’s, including the Specials, the Clash, New Order, the Smith’s…(do not get me started, for it is here that my 80’s experience turns my eyes to glaze and puts that nostalgic smile upon my face.)

Today, the inkling to separate oneself from anything popular in order to gain instant access to cool is in itself popular. I leave that bit of my personality back in the 7th grade commons, where it belongs. My musical interests are wide and expansive, but they always include pop music. Badly Drawn Boy, Tahiti 80, and Phoenix are just 3 acts today that are truly pop and outstanding. Sometimes, the mainstream is actually good.

Anyone who says they do not like pop music is lying, dead, or, after all, perhaps they’re only sleeping.

Lowcountry Culture

Savannah’s Lucas Theatre was the historical backdrop to Friday night’s incredibly beautiful performance of Off the Wall and Onto the Stage, Dancing the Art of Jonathan Green. Gullah life in South Carolina’s Lowcountry coast is what serves as the root behind Mr. Green’s colorful and bold brush strokes and the evocotive stories he tells through his paintings. William Starrett’s choregraphy takes Green’s images to the next level, by continuing “the stories” through dance.


Amadeus, by Green

The backdrops on stage are huge paintings by Jonathan Green, while scrims, or transluscent-like veneers with 22 of Green’s previous works, overlap the backdrops. It is here where the images become real life in the form of the dancers, with mostly recorded music to accompany. Traditional folk, mixed with blues, hymns, and live performances in the second act by Marlena Smalls, a multi-talented actress, educator, and blues singer.

This was truly an inventive and inspiring production to be a part of, if only as an audience member.

« Previous Page

Search the site

Recent Comments

  • Enja McGuire on Ethnography or Exploitation?
  • domain on Guerilla Gardening
  • Patty on Passport to the Universe
  • Jack on Ethnography or Exploitation?
  • chelsea on KCMO – Flyin’ Smart

Categories

links

  • AdPulp
  • And That Got Me Thinking
  • Big Daddy Seashell
  • Bohemian Girl
  • Burnin'
  • Chicago Public Radio
  • Clicks and Bits
  • Evil Vince
  • Guardian Blog
  • Leftover Cheese
  • Media Matters
  • Moon Phases
  • NPR
  • Octavia’s Haze
  • Old Town School
  • PBS
  • School of the Americas WATCH
  • Snap Design
  • Straw Dog
  • The Onion
  • Third Coast Audio Fest